The Dunderheads

Booklist (June 1, 2009 (Vol. 105, No. 19))
Grades 3-5. Browbeaten by one of the more frightful teachers imaginable (among other deterrents, she keeps an electric chair in the classroom), a group of misfits endeavor to stage a mini-coup in this outlandish older-reader picture book. As the mastermind narrator notes, if Miss Breakbone’s first mistake was calling them all “fiddling, twiddling, time-squandering, mind-wandering, doodling, dozing, don’t-knowing dunderheads,” her second mistake was having appreciation for each of their unique talents. And talented they are, as each kid in the class contributes his or her specialized skills to sneak into her heavily fortified lair and recapture a trinket she’d grifted off of a boy nicknamed Junkyard. Pencil lays out the blueprints, Spider and Clips get the kids over the wall, and Google-Eyes hypnotizes their way past the guard dogs. You can almost hear the Pink Panther theme thrumming in the background. Roberts’ illustrations match Fleischman’s quirky tale tone-for-tone, drafting each kid in a signature style and breaking up page compositions to bring some pizazz to the caper. A fun, stick-it-to-teacher romp with no redeeming message, but cleverness in spades

Down Down Down: A Journey to the Bottom of the Sea

Booklist (April 1, 2009 (Vol. 105, No. 15))
Grades 2-4. In this plunge into the deep, Jenkins displays his usual keen awareness of what is fascinating about biology and imparts it without sensationalism—the facts speak for themselves. Light becomes an impossibility only a tiny fraction of the way down into the ocean, and the deeper this book goes, the darker the palette and the scarier and stranger the beast encountered. Sophisticated cut- and torn-paper collage-work fit the alien qualities of the subjects well; it’s equally at home capturing the tiered needlepoints of lizardfish teeth as it is delivering an impressive and illuminating display of bioluminescence. The scale of just how staggeringly deep the ocean is, and how little we know of much beyond what happens at the surface, is conveyed by sidebars on each page that drop precipitously from sea level to the ocean floor many miles below. Thorough endnotes give greater detail on each of the featured creatures and help make this a most welcome introduction to the sometimes-surprising world of marine biology.

Dot In Larryland: the big little book of an odd-sized friendship

Kirkus Review (December 1, 2008)
A wee girl and a gargantuan boy prove that pals come in all sizes in this offbeat exploration of friendship. Miniature Dot is "just one jot bigger than invisible" while extra-large Larry's so huge he doesn't realize he's standing in a puddle until the next day. Both are "totally miserable" and lonesome in a "BIG way," because they can't find friends their own size. Dot's invitations to grains of sand and fleas and Larry's overtures to a house, a tree and a cloud are similarly rebuffed. But one day when Larry's consuming his usual enormous breakfast, the teeny, sneezing Dot flies out of his pepper shaker and the unlikely duo meet and discover they have a lot in common. Chast's hilarious cartoon-like pen, ink and watercolor illustrations exaggerate the outrageous disparity in size between protagonists, showing mini-Dot scaling a blade of grass and maxi-Larry towering over his landscape. Marx's breezy, tongue-in-cheek text bristles with humorous metaliterary asides (Dot's half of the story is in verse, but Larry's is not, for instance), but successfully shows that size doesn't matter between friends. Eccentric fun. (Picture book. 5-8)

The Bone series

Publishers Weekly (February 7, 2005)
The nine-volume Bone graphic novel series was the toast of the comics world when it was published by Smith's own Cartoon Books beginning in the early 1990s; in this first volume of Scholastic's new edition, the original b&w art has been beautifully converted into color. Smith's epic concerns three blobby creatures who have stumbled into a valley full of monsters, magic, farmers, an exiled princess and a huge, cynical dragon. The story is something like a Chuck Jones version of The Lord of the Rings: hilarious and action-packed, but rarely losing track of its darker subtext about power and evil. This volume is the most lighthearted of the bunch, though, featuring some of the wittiest writing of any children's literature in recent memory-a few of Smith's gags are so delicious that he repeated them for the rest of the series. It also introduces the Bone cast's unforgettable supporting characters: the leathery, tough-as-nails, racing-cow-breeding Gran'ma Ben; the carnivorous but quiche-loving "rat creatures"; a spunky trio of baby opossums; and Ted the Bug, whose minimalist appearance (a tiny semicircle) exemplifies Smith's gift for less-is-more cartooning. The way his clear-lined, exaggerated characters contrast with their subtle, detailed backgrounds is a product of his background in animation, and so is his mastery of camera angles and choreography. This is first-class kid lit: exciting, funny, scary and resonant enough that it will stick with readers for a long time. (Feb.) Copyright 2005 Reed Business Information.

100 Cupboards

Kirkus Review (November 15, 2007)
Henry York awakens one night to find that two knobs have popped out of the plaster at the head of his bed. Having lived a sheltered existence thanks to his overprotective parents, the boy is currently staying with his aunt, uncle and cousins and is up for a little adventure. Scraping the wall reveals 99 cupboards of varying shapes and sizes, each one a connection to another world. Unfortunately, opening one of the doors means the release of an unspeakably evil presence, causing the secrets of both the cupboards and Henry's past to come to light in the face of great danger. Wilson takes the concept of finding a door to another realm and simply extends it to its logical extreme. The result is a highly imaginative tale that successfully balances its hero's inner and outer struggles. Wilson's writing is fantastical, but works with clever sentences and turns of phrase that render it more than just another rote fantasy. The ending concludes the adventure satisfactorily but leaves plenty of room for a sequel. (Fantasy. 9-14)

The Reader's Bill of Rights

The Reader's Bill of rights
1. The right not to read.
2. The right to skip pages.
3. The right to not finish.
4. The right to reread.
5. The right to read anything.
6. The right to mistake a book for real life.
7. The right to read anywhere.
8. The right to dip in.
9. The right to read out loud.
10. The right to be quiet
Daniel Pennac - The Reader's Rights

Neil Armstrong Is My Uncle & Other Lies Muscle Man McGinty Told Me

Booklist starred (April 15, 2009 (Vol. 105, No. 16))
Grades 3-6. It is rare to have a story told with sympathy from the viewpoint of a bully. This debut novel, set in upstate New York in the summer of 1969, does just that with wit and a light touch that never denies the story’s sorrows. Tammy, 10, is stuck at home with her cold parents while her brother is away in Vietnam. In her first-person narrative, she reveals the hurt and loneliness that fuel her anger as she targets the new, skinny kid, Douglas, who has moved into a foster home on the block. She mocks him for telling wild lies: he is training for the Olympics; his uncle is Neil Armstrong, about to walk on the moon; and more. The other kids, including the snotty girls from the loving family next door, let him be. Why is Tammy so furious? Gradually the reader sees that she blames Douglas for the disappearance of her beloved only friend, a foster kid who moved away without telling Tammy why and where she was going. Douglas is a bit too nice, but he messes up when he tries to help Tammy, and many readers will recognize the muddled and caring gestures among friends and enemies.