The Cheshire Cheese Cat A Dickens of a Tale

Kirkus Review starred (September 15, 2011)


"He was the best of toms. He was the worst of toms." And for all his harsh early life and unnatural dietary preferences, ragged London alley cat Skilley gets to look at a queen, too. Landing a gig as mouser for the chophouse and writers' hangout Ye Olde Cheshire Cheese is a lifelong fantasy come true for both Skilley and the inn's swarm of resident mice--because unlike his feline rivals, Skilley adores cheese and has no taste for mice at all. In fact it isn't long before he and Pip, a mouse of parts who has learned to read and write, have become great friends. Deedy and Wright take this premise and run with it, tucking in appearances from Dickens, Thackeray and other writers of the time. Cat and mice unite to face such challenges as the arrival of a cruel new cat named Oliver ("Well, this was an unwelcome twist"), a mysterious cheese thief and, climactically, a wise but injured old raven that is the subject of a country-wide search that culminates in a visit to the inn by Queen Victoria Herself. Moser contributes splendid black-and-white illustrations that manage to be both realistic and funny, recalling Robert Lawson while retaining his own style. Readers with great expectations will find them fully satisfied by this tongue-in-cheek romp through a historic public House that is the very opposite of Bleak. (Animal fantasy. 10-12)

Benjamin Franklinstein Lives!

Kirkus Review (July 15, 2010)


Nerdy Victor is literally blasted out of his compulsively regimented ways when "Frank Benjamin," waking from 200 years of suspended animation, moves into a nearby apartment. Being a human battery with electricity-conducting bolts embedded in his neck and veins filled with "harmonic fluid," Ben-er, Frank-has a tendency to run amok when overcharged or devolve into a zombielike state when the juice runs low-conditions that the authors exploit to hilarious effect as they send young Victor scurrying across Philadelphia after his new neighbor and mentor, discovering a secret lab buried beneath their rundown building and rebuilding his elaborate but derivative science-fair volcano into an experimental one so massively destructive that even Victor is left impressed and proud. Frequent technical diagrams and actual patent drawings add a luster of Real Science to the antics, and 18th-century veneer is provided by Poor Richard's Almanack-style borders and display type. The balance struck between Victor's methodical approach and Ben's "we'll have to trust our instincts, whack away at the problem, and hope for the best" attitude provide some food for thought, too. Expect sequels. (Sci-fantasy. 10-12)

Aliens On Vacation

Kirkus Review (April 15, 2011)


Summer with grandma: boring, right? David, aka Scrub, is dreading it. His too-busy parents have sent him to stay with his hippie-dippy grandma in a small town in Washington. Grandma runs the Intergalactic Bed & Breakfast, which caters to weirdoes who pretend they're from outer space. The obvious becomes unavoidable when Scrub witnesses one guest devouring aluminum foil while guzzling bleach and Scrub's closet door turns out to be a portal for all manner of tentacled, many-eyed, rubbery-skinned creatures. Grandma enlists Scrub to outfit the vacationing guests in earthly disguises, and he discovers he likes this new feeling of being trusted. But his head and tongue go wonky when curious neighbor Amy, daughter of the town sheriff (who wants to close the inn), starts poking around. Though the momentum takes a while to rev, the hi-jinks hit full gear when Scrub takes three puckish alien youngsters on a camping trip and they cross paths with the sheriff's scouting troop. The jig is up, and Scrub feels the weight of grandma's disappointment. What can he do to set things right? With goofy alien illustrations to kick start each chapter, this tale explores the confusion of impending teen-hood and the importance of a sense of purpose, plus how cool it would be to have friendly aliens living among us. Ideal for upper-elementary readers dabbling in sci-fi. (Science fiction. 9-13)

You Will Be My Friend!

School Library Journal (September 1, 2011)


PreS-Gr 2-Lucy, the bear who tried to adopt a boy in Children Make Terrible Pets (Little, Brown, 2010), is on the hunt for a new friend. While she searches the forest, speech bubbles capture her fervent anticipation: "We're going to do cartwheels! And climb trees! And have picnics! And have a dance party!" A frog invites her to play, but Lucy's overzealous belly flop empties out the pond. She dryly comments, "Things didn't work out." Bees invite Lucy to lunch, but she ends up eating their hive. Brown's quirky wood-grain-bordered illustrations show the cub's over-the-top tactics to fit in, from squeezing down a rabbit hole to gnawing tree trunks beside a beaver. After all of her overtures are rebuffed, she resorts to threats: "Come back here and have fun with me!" "You won't get any snacks unless you start liking me RIGHT NOW." When Lucy finally relaxes her approach, a flamingo pal comes her way. Readers will be won over by this witty, slapstick story of friendship found.-Linda Ludke, London Public Library, Ontario, Canada (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Nothing Like A Puffin

Kirkus Review starred (August 15, 2011)


Several essential facts about puffins emerge from this engaging, cheerful and astonishingly simple taxonomic exercise, filled with humor and a dynamic conversational style both visual and textual. Soltis' relaxed, forthright words and sentences build a momentum of anticipation and discovery-first an initial and then repeated assertion that there is "nothing like a puffin," followed by a series of comparative observations in which it turns out that a particular animal or item actually is in some way (two legs, hatches from eggs, swims) perhaps a little like a puffin. Kolar's eye-catching, full page, digitally created cartoons feature a merry-looking puffin in every opening, interacting with the objects or bright-eyed creatures of comparison: a newspaper, a pair of jeans, a goldfish, a snake, a shovel, a helicopter, a penguin. The colors on the puffin's bill are repeated in the figures and vivid backgrounds throughout. Young listeners won't know everything about puffins after a reading or two of this lively discourse, but they will have an idea about how to relate new information to something already known. What makes two things alike and what makes them different-what, indeed, confers individuality and the quality of being uniquely amazing-is exuberantly celebrated in a puffin-affectionate package. (Picture book. 2-5)

Blue Chicken

Kirkus Review starred (August 15, 2011)


Breathtakingly beautiful meta-illustrations will draw many eyes to this tale of a curious chicken who spills some paint. "This picture is almost finished," narrates an unseen artist whose life-size pencil and brush lie across a barnyard drawing with cow, chicken coop and wheelbarrow softly shaded and colored but a barn only outlined. "[T]his day is perfect for painting the barn. / But wait. Does one of the chickens want to help?" A small white chicken patters out from the coop onto the blank white background, climbing up onto the edge of a paint pot-and tipping it over. Blue paint flows down the page, splattering on finished and unfinished bits of the original picture. It floods onto pansies, chicks and the cow, whose "moo wakes the chickens. They're peevish and blue." Irritated blue chickens give chase across now all-blue spreads; the original chicken who "just wanted to... / HELP!" is intimidated and "[s]incerely sorry." Watercolor washes and splashes, from pale blue to dark, create wonderful, wet patterns; their liquid edges contrast alluringly with fine pencil lines and shadings. Resourcefully, the chicken tips out the artist's brush-rinsing water jar, drenching and cleansing this world back into neatness. But is that the artist at the end, painting a real barn outdoors while something hilarious happens indoors in her studio? Delicate and durable, visually sophisticated yet friendly: simply exquisite. (Picture book. 3-7)

Neville

Booklist starred (October 15, 2011 (Vol. 108, No. 4))


Preschool-Grade 3. A long road trip, depicted in a series of panels on the title page, sets the stage for this tender, funny story about moving, settling down, and starting over. A boy and his family move to a new town. He worries about all of the troubles of relocation, especially being lonely, and his mother sends him out into the neighborhood to find new friends. As he walks to the end of the block, he draws attention by calling out a mysterious name: “NEVILLE, NEVILLE.” In no time, the streets are full of kids who have joined in the shouting and are all willing to help look for the eponymous stranger. As they ask questions, the boy tells them all about his best friend, Neville, whom they can’t wait to meet. Evening descends, the children part company, and the boy returns to his new home, where Neville’s true identity is revealed. The story’s simple charm comes to life in Juster’s well-paced, spare language. Karas’ deft mixed-media sketches carry remarkable weight. The new neighborhood begins as a lonely row of identical white houses and ends as a colorful bustle of congenial activity. With just a few simple strokes, Karas imbues his cartoonlike figures with deep and subtle emotion. A harmonious blend of text and illustration, this is a warm, reassuring choice for all children who know the anxieties that come with big life changes.