Preschool-Grade 2. Opening endpapers of orderly gray bricks introduce a community of proper Victorian animals getting about their business with smileless politesse. But Mr. Tiger, his bright-orange face a sore thumb among the elephant grays and mule-deer browns, dreams of freedom. First, he drops to all fours. His neighbors are nonplussed. Then, he rampages and roars. His neighbors are frightened. Finally, he gets naked. The village members suggest he head into the wilderness, which he thinks is a “magnificent idea.” He loves the wilderness, with all its wildness, but, in time, he misses the city and his friends. He returns only to discover that things have loosened to a happy medium. He dons some aloha attire, and all is right with the world. Closing endpapers of haphazard greenery celebrate the welcome change. Brown highlights the differences between municipal propriety and savage abandon with color and composition. The city is all upright, sepia, rectilinear precision; the wild, sweeping vistas of lush, verdant paradise, and their final amalgam form a nice balance. With its skewed humor and untamed spirit, this joyous exploration of quasi-reverse anthropomorphism will delight listeners again and again.
Tuesday, December 17, 2013
Mr. Tiger Goes Wild
Preschool-Grade 2. Opening endpapers of orderly gray bricks introduce a community of proper Victorian animals getting about their business with smileless politesse. But Mr. Tiger, his bright-orange face a sore thumb among the elephant grays and mule-deer browns, dreams of freedom. First, he drops to all fours. His neighbors are nonplussed. Then, he rampages and roars. His neighbors are frightened. Finally, he gets naked. The village members suggest he head into the wilderness, which he thinks is a “magnificent idea.” He loves the wilderness, with all its wildness, but, in time, he misses the city and his friends. He returns only to discover that things have loosened to a happy medium. He dons some aloha attire, and all is right with the world. Closing endpapers of haphazard greenery celebrate the welcome change. Brown highlights the differences between municipal propriety and savage abandon with color and composition. The city is all upright, sepia, rectilinear precision; the wild, sweeping vistas of lush, verdant paradise, and their final amalgam form a nice balance. With its skewed humor and untamed spirit, this joyous exploration of quasi-reverse anthropomorphism will delight listeners again and again.
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